at the Bauhaus between 1920 and 1931, teaching in the bookbinding,
stained glass and mural-painting workshops, Paul Klee (1879–1940)
brought his expressive blend of color and line to the school—and, with
the second volume in the Bauhausbücher series, beyond its walls.
In his legendary Pedagogical Sketchbook, Paul Klee takes a
theoretical approach to drawing using geometric shapes and lines.
Evincing a desire to reunite artistic design and craft, and written in a
tone that oscillates between the seeming objectivity of the diagram,
the rhetoric of science and mathematics, and an abstract, quasi-mystical
intuition, Klee’s text expresses key aspects of the Bauhaus’ pedagogy
and guiding philosophies. And while Klee’s method is deeply personal, in
the context of the fundamentally multivocal Bauhaus, his individual
approach to abstract form is typical in its idiosyncrasy. In this book,
he presents his own theory about the relationships between line, shape,
surface, and color in the visual space.
In the present volume, the 1953 English translation by Sibyl
Moholy-Nagy is combined with the design and physical qualities of the
original German edition from 1925.